If you have more options, you can follow the melodic form of the song better. For example, if your main ride is 20″, you don’t want a 16″ crash. Make sure the sizes fit together in terms of tonal quality and pitch. The sizes of the crash cymbals shouldn’t be too close together, or they won’t sound distinct from one another. That means your second cymbal should be different in size and thickness than the main one, so you can experiment with different sounds. Most people use a second crash cymbal to get the sound they lack with the first one.
What size should my secondary crash cymbal be? A larger bell will be louder and project more sound. You should also pay attention to the “bell” or the center of your cymbals. Thin cymbals will have a clear, bright, and full sound. Thicker and heavier cymbals will have a lower pitch and denser sound. The crash cymbal sound should be clear and not muted to stand out among other instruments. Larger cymbals may have a louder, lower, and warmer tone with a longer sustain. Generally speaking, smaller cymbals have lower volume but a faster attack and faster decay. The size of the cymbal you get will depend on the type of music you play, how loud the sound needs to be, and how much control you want over it. What size should my secondary crash cymbal be?.Hopefully there was some little nugget of wisdom in there to help you out. You can use volume automation to get the same effect without it being so obvious. You may also want to send the cymbal to the master and bypass your sidechain/ducking send/bus/whatever. In my experience, transition effects like that should be less obvious in the mix but definitely noticeable when absent. Pull them down in the mix and play the part with the cymbals on, and again with them muted. Try pulling the cymbals down in the mix, a common mistake is to make the hats and cymbals too loud. You may be working with an untouched sample, in that case I'd kill the limiter but only use slight compression and EQ depending on the quality of the sample. Most samples are already pretty heavily processed and doing more will usually end up with less than satisfactory results.
I'd also consider taking the compressor, limiter, and EQ off. Put a little reverb on it and you should be good. Try two different (but similar) crashes panned slightly left and right.
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